Not Hearing the Wood Thrush by Margaret Gibson
Author:Margaret Gibson
Language: eng
Format: epub
Publisher: LSU Press
Published: 2018-10-15T00:00:00+00:00
I would like to describe the heart
as a first-century ode describes itâ
split open, sending up flowers and fruits.
Heart is a seed pit that breaks open
in two directions, the root taking hold
in the earth, the stalk shooting off
into a field of milky stars,
which right now I can sense beneath
my pillow.
Iâd like to describe the heart
as Solomon did, but here I am,
in the dream holding a newborn
whoâs been split in two just below
the navel. I rush away from
the birthing roomâthe child is divided
but still lives, and I cradle her.
Thank you, I cry. Iâm sorry. Forgive me.
And the dreaming mind
shifts to a deeply cut grave, the child
at the bottom of the dark pit
waving her little arms
as someone I call an oaf starts to shovel
dirt right onto the childâ
the oaf doesnât know what heâs doing.
Why doesnât he pay attention?
The angel does.
Here she is, intimate
with spirit, fed by its insights. I try
to follow her breath as she breathes
in and out with the child. Look, she says,
I have also made your bed with sheets
as gold as the iris by the gate of the Infinite.
Fresh sheets and an old cloth from Indiaâ
anything torn has been patched
and stitched seamlessly together.
Now she gives me the also-mended
child.
How I love her small feet,
her knees, her thighs, her genitals.
I love her belly and nipple buds and lungs.
I love her arms and her hands, her eyes
and her ears, her mouth, and her mind.
Most of all I love her heart, which sings
like a struck bowl. The bowl is her cradle.
I am her cradle, her riverbed and orchard
and nest.
I would like to describe the heart
without words. I would like the dream
to open into a great light in which I am
neither cradle nor dark pit, neither angel
nor oaf nor childâbut Iâm standing now
at the border where one world dims
and another brightens; where what is called
waking up is the flowering of innate intention;
where, whether in garden solitude
or on the crowded streets of commerce,
inner and outer, when they meet, stand close,
their eyes open, and their mouths, touching tongues.
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